In Wrapped and Bound, Rectory Art House artist Gillian King showcases a series of paintings depicting abstracted and obscured realities based on the conflict and contradiction inherent in the relationships between humans and animals. King explores themes of animal exploitation, consumption, human destruction of nature, biological processes, mummification, sexuality, birth, and death in her work.
A looping video projection, which flips faster and slower mimicking the rise and fall of a Supernova, exposes the artist’s process and reference images.
